Music Events - Portugal

  • Portugal
  • Revenue in the Music Events market is projected to reach €108.10m in 2024.
  • Revenue is expected to show an annual growth rate (CAGR 2024-2028) of 2.04%, resulting in a projected market volume of €117.20m by 2028.
  • In the Music Events market, the number of users is expected to amount to 1.4m users by 2028.
  • User penetration will be 13.9% in 2024 and is expected to hit 14.2% by 2028.
  • The average revenue per user (ARPU) is expected to amount to €77.13.
  • In global comparison, most revenue will be generated in the United States (€15,580.00m in 2024).
  • With a projected rate of 25.8%, the user penetration in the Music Events market is highest in Denmark.

Key regions: India, Japan, Europe, China, Asia

 
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Analyst Opinion

The Music Events market in Portugal has experienced significant growth in recent years, driven by changing customer preferences, emerging trends, and local special circumstances.

Customer preferences:
Customers in Portugal have shown a growing interest in attending music events, both large-scale festivals and smaller concerts. They value the opportunity to experience live music performances and connect with artists on a personal level. In addition, there is a preference for diverse music genres, ranging from popular mainstream acts to niche and alternative artists. Customers also appreciate the convenience of online ticket purchasing and the availability of a wide range of ticket options, including VIP packages and early bird discounts.

Trends in the market:
One of the key trends in the Music Events market in Portugal is the rise of music festivals. These events attract both local and international attendees, offering a multi-day experience with multiple stages and a diverse lineup of artists. This trend has been fueled by the success of established festivals and the emergence of new ones, catering to different music genres and target audiences. Additionally, there is a growing trend towards themed music events, such as electronic music festivals or jazz festivals, which cater to specific music preferences. Another trend in the market is the increasing use of technology to enhance the music event experience. This includes the integration of social media platforms, live streaming of performances, and interactive mobile applications. These technological advancements not only provide convenience for customers but also create opportunities for artists and event organizers to engage with their audience in new and innovative ways.

Local special circumstances:
Portugal's geographic location and pleasant climate make it an attractive destination for music events, particularly during the summer months. The country has a rich cultural heritage and a vibrant music scene, which further contributes to its appeal as a host for music events. Additionally, the Portuguese government has been supportive of the music industry, providing funding and resources to promote and develop local talent. This has helped to cultivate a thriving music ecosystem and attract international artists to perform in Portugal.

Underlying macroeconomic factors:
The growth of the Music Events market in Portugal can also be attributed to underlying macroeconomic factors. Portugal has experienced steady economic growth in recent years, leading to an increase in disposable income and consumer spending. This has allowed more people to afford tickets to music events and participate in the vibrant music culture. Furthermore, the country's tourism industry has been booming, attracting a large number of international visitors who are eager to experience the local music scene. In conclusion, the Music Events market in Portugal has been thriving due to changing customer preferences, emerging trends, and local special circumstances. Customers value the opportunity to attend music events and connect with artists, while the rise of music festivals and the use of technology have enhanced the overall experience. Portugal's geographic location, cultural heritage, and government support have further contributed to the growth of the market. With a strong economy and a thriving tourism industry, Portugal is well-positioned to continue its development as a hub for music events.

Methodology

Data coverage:

The data encompasses B2C enterprises. Figures are based on Gross Merchandise Value (GMV) and represent what consumers pay for these products and services. The user metrics show the number of customers who have made at least one online purchase within the past 12 months.

Modeling approach / Market size:

Market sizes are determined through a bottom-up approach, building on predefined factors for each market segment. As a basis for evaluating markets, we use annual financial reports of the market-leading companies, third-party studies and reports, as well as survey results from our primary research (e.g., the Statista Global Consumer Survey). In addition, we use relevant key market indicators and data from country-specific associations, such as GDP, GDP per capita, and internet connection speed. This data helps us estimate the market size for each country individually.

Forecasts:

In our forecasts, we apply diverse forecasting techniques. The selection of forecasting techniques is based on the behavior of the relevant market. For example, the S-curve function and exponential trend smoothing. The main drivers are internet users, urban population, usage of key players, and attitudes toward online services.

Additional notes:

The market is updated twice a year in case market dynamics change. The impact of the COVID-19 pandemic and the Russia-Ukraine war are considered at a country-specific level. GCS data is reweighted for representativeness.

Vue d’ensemble

  • Revenue
  • Analyst Opinion
  • Users
  • Global Comparison
  • Methodology
  • Key Market Indicators
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